Writer Interrupted » Guest Blogger Literary Agent Chip MacGregor on Agents

Somebody recently sent me this question: “To get a book published, do I need an agent or do publishers still take authors without agents? If I think I need an agent, do I have to have a publishing record to catch an agent’s eye? And if I have an agent, what should I expect? Reviewing, critiquing and editing my proposal? Or is it basically submissions and contract help? Are agents just for deal-making or do they help shape my idea?”

WARNING: This answer is coming from an agent! Discount all numbers by half and throw out the rest! And make sure you’ve got your pipe and slippers, ‘cause this guy goes on and on and on…

I’m a literary agent. I’ve been in CBA for more than 20 years, full time for the last 15 or so. Made my living as an author and, later, as an editor before I fell away from the Lord and became and agent. I was with one of the top literary agencies in the business for many years, and now I’m out on my own – so I’m admittedly biased. I’m pretty successful at what I do, in a business where many people CALL themselves “agent” but don’t know what they’re doing (and, consequently, don’t last very long), I’m fairly well known in the industry and, by and large, have developed a pretty good reputation (more evidence of the mercy of God). Feel free to ask around and see what others say. Most people who know me will tell you that I’m not an agent evangelist. I’ll be the first one to tell you that not everybody needs an agent. And I’m fairly safe in talking about this stuff because I’ve been saying the same stuff for year. So I’m going to give one man’s opinion…

When NOT to get an agent:

-When you’re not a proven writer. Generally, publishers are looking for great ideas, expressed through great writing, and offered by a person with a great platform. Sometimes they get all three, usually they settle for two of three. (I’ve taken on some unproven writers because I liked an idea or the writing, but understand that I work MUCH harder for an unknown author, and get less return, than I do for a proven author…and THAT’S why agents prefer to work with proven authors.)

-When you don’t have either a full manuscript (if it’s fiction) or a dynamite proposal and sample chapters (if it’s non-fiction). Without those, you’re simply not ready.

-When you won’t let others critique your work. Criticism is how we get better. Why is it the worst writers seem the least ready to listen? (Maybe because in their hearts they know they aren’t that good, and admitting that would hurt their self-esteem…or maybe I’m guilt of psychologizing.)

-When you’re not ready for rejection. This is a tough business. Do you have any idea how many times I hear the word “NO” in a week? If you can’t take “no,” or if you can’t take criticism, or if you can’t take direction, go back to the dry-cleaning business. You obviously aren’t tough enough for the writing biz.

-When you have time on your hands. (Right. Like THAT’S going to happen.)

-When you feel like you’re “giving away” 15% of your income. I don’t think any of the authors I work with resent my percentage…they know I help them earn more than they’d get on their own. But if you don’t feel that way, you’re probably not ready to work with an agent.

-When you enjoy selling books and negotiating contracts.

When TO get an agent:

-When you have a dynamite proposal that a publisher will fall in love with. The agent should maximize the deal.

-When you don’t know who to go to. The agent should have strong relationships in publishing…ALWAYS ask a prospective agent who he/she represents, ask to talk with some of his/her authors, and ask what deals he/she has done lately. If an agent doesn’t really represent anybody, or hasn’t really done any deals, you have to wonder if they’re really an agent or just play acting. One more thought: an agent lives or dies on his/her relationships. Make sure you pick somebody who is good at those.

-When you don’t know about contracts (they are legal documents that can impact your life for years).

-When you don’t know what a good deal or a bad deal is.

-When you don’t know how to read a royalty statement.

-When you don’t know how to market your book.

-When you don’t have time on your hands and don’t want to negotiate with the publisher yourself.

-When you don’t want to be the person promoting or selling yourself and your work.

That said, my advice for finding an agent isn’t necessarily going to please everyone…

-Go meet agents up close and personal. Attend conferences, make appointments at their office, connect at CBA, etc.

-Get to know and trust the agent. (Again, I think there are a lot of people who claim to be agents but don’t really know the business)

-Find out if they like books and if they’re good with words. In my view, the best agents are word people first. (That’s an important point. Just because a guy has negotiated contracts doesn’t mean he can help you with ideas or writing or editing or selling.)

-Ask who they represent, then go check with some of their authors.

-Ask “how many books have you contracted in the past year?”

-Look for a full-time agent, not somebody who is part agent, part editor, part author, part Amway salesman. (More and more I think this is true. Look…not everybody can be an agent. Just like not everybody can be an author, a copy-editor, a sales rep, or the quarterback of the Green Bay Packers. So look for somebody who knows this job and is sold out to doing it, rather than somebody who is trying to represent people while also doing a dozen other things.)

-Go create a wonderful proposal with good writing and a complete bio. Make sure to include your sales history and a market analysis.

-Remember MacGregor’s Law of Agenting: Make sure you LIKE the person. There’s nothing worse that having to do business regularly with people you don’t like. I LIKE the authors I represent. Most are personal friends. I can’t imagine working in my office, having the phone ring, hearing the receptionist say, “Mr Farnsworth is on the phone,” and me going into a spasm of disgust - “Yikes! Farnsworth! I HATE that guy! Tell him I’m not here!” Life is too short. I routinely tell authors that I’m not the agent for everyone. My personal style is fairly gentle (believe it or not…I’m not nearly the smart aleck in real life as I appear in print), I’m pretty soft-spoken at meetings (people are often disappointed when they meet me). So I’m not the right guy for a writer who wants Mr. Take-Charge. If you don’t LIKE the individual, don’t hire him.

-Once you settle on someone, make a commitment to work with him or her long term. A good agent should talk with you about your writing career. My goal is to work with the authors I represent for the next 20 years, so we can all retire together and still be friends. That said, always ask if the agent you’re talking to relies on a “term” agreement or an “at will’ agreement. My agency agreement is a letter that serves as an at-will agreement. There’s no term - it starts the day we sign it; it ends when we start calling each other names and throwing copies of manuscripts at each other. (I’ve talked with too many authors who got locked into really bad term agreements - “I’d like to have you represent me, Chip, but I’m stuck with Mr. Bonehead for the next two years.”)

-Understand that not every agent is alike. One person is a “contract” guy – his focus is on intellectual property rights law and tough negotiation. Another person is an “editorial” type – her emphasis is on helping you craft a great manuscript. Some agents are “idea” guys (they come up with great ideas), others are “life management” types (they will coordinate your speaking, writing, media, money, even your wardrobe, I suppose). My strengths are in “recognizing great writing” and “career development,” and those are two things I’ve established pretty firmly as my agent identity over the last decade. Figure out what you need in an agent, then determine what the agent’s strengths are. That’ll move you down the path much quicker.

Again, I tell would-be agents: (1) only represent people you like, and (2) only represent good writers. I’ve been able to hold to that, and done really well in the business. So…can you get published without an agent? Of course you can. You can also sell your house without a realtor and draw up your own will. But you may not want to do any of those things…and it’s getting harder and harder to get a career established in publishing without an agent. It’s doable, but it’s harder than it used to be. A good agent should help you decide on a salable idea, create a better proposal, and get that proposal in front of the decision-makers who matter.

Whew…maybe more than you really wanted. Hope it helps.

-Chip MacGregor, Literary Agent, BMOC, and Your Humble Servant

CHIP MACGREGOR is once again hanging around and bothering people. He made his living as a writer for years, then became an editor (serving as Senior Editor for two different CBA houses), before moving on to becoming a longtime literary agent with Alive Communications. He then spent two years as a publisher at Time-Warner…making us all wonder why he can’t hold a job. An Oregon native, these days he’s keeping busy working as an agent, running MacGregor Literary, and going on endlessly about his Scottish ancestry. If you see him in a kilt, you may want to shield your eyes.

4 Comments

Tina

Posted Friday,May 25, 2007 at 11:05 am | Permalink

Chip, Great post and all true. My husband sold our house without a realtor, but I’d never let him try to sell my books.

My agent isn’t editorial, but he’s a “contract,” “idea,” and “career management” guy. I think the contract and idea part is the most important to me. I need someone who knows everything about the contracts before I sign them, can negotiate, and can steer me in positive directions I never even knew about.

And it’s true he works harder for me and makes less on me than on his biggest artists and authors, so it’s important I work hard for him. Anything less should seem like an insult to a debut author’s agent. Stay humble, I say.
christa

Posted Sunday,May 27, 2007 at 8:13 am | Permalink

Chip: Well, as long as you’re not performing high kicks while wearing that kilt…
Thanks for the MacGregor soliloquy, “To agent, or not to agent: that is the question.” It does help.
Mary McGregor

Posted Thursday,July 5, 2007 at 10:02 am | Permalink

That’s a nice article, and offers hope for someone such as myself, who found a reputable well established agent (MBA Literary Agents in London) relatively easily based on a synopsis and sample chapters of my book. Sadly, 4 years, and five re-writes later, my agent and I parted company. He felt he couldn’t go any further, and I was disappointed that in all that time, my script was only submitted to 11 editors. I’m not sure what his game-plan was, but I felt that it wasn’t submitted enough. I would say that he helped me alot editorially, and I believe it is a better script for the experience. Still, most of the editors rejections were quite positive, so maybe I’ll go back to it some day.
Mary McGregor

Posted Thursday,July 5, 2007 at 10:10 am | Permalink

That’s a nice article, and offers hope for someone such as myself, who found a reputable well established agent (MBA Literary Agents in London) relatively easily based on a synopsis and sample chapters of my book. Sadly, 4 years, and five re-writes later, my agent and I parted company. He felt he couldn’t go any further, and I was disappointed that in all that time, my script was only submitted to 11 editors. I’m not sure what his game-plan was, but I felt that it wasn’t submitted enough. I would say that he helped me alot editorially, and I believe it is a better script for the experience. Still, most of the editors rejections were quite positive, so maybe I’ll go back to it some day.

As a fellow McGregor, I leave you with the clan war cry, “Ard Choille!”

Guest Blogger
Literary Agent Chip MacGregor on Agents

4 Comments

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