Tips for cutting a synopsis

Tip#1 to cut a synopsis—formatting

Check your formatting. Make sure all your margins are 1 inch. Make your header ½ inch from the top.

Make your header only one line with the manuscript title, the word “synopsis,” and your last name (e-mail address optional) on the left side, and then the page number (optional) on the right side. It’ll look something like this:

BRILLIANT NOVEL/Synopsis/Tang 1

You don’t have to put the word “Synopsis” at the top of the actual text. Just start the synopsis text.

Tip#2 to cut a synopsis—repetition

Eliminate any repetition. If you mention something once—say the hero left the heroine five years ago—don’t mention it again. For example:

After a five year absence, Ronald McDonald returns to Birdy’s life . . .

A paragraph later:

A different man than he was five years ago, Ronald is still in love with Birdy . . .

Don’t mention the five years again. Cut it: Now more spiritually mature, Ronald is still in love with Birdy . . .

(Thanks to Dineen Miller for the idea of this example)

Tip#3 to cut a synopsis—eliminate subplots

Cut out any mention of the subplot. Be ruthless. Even if the subplot gives a bit of depth to the hero because it tells the reader about his life as a drug runner in Brazil, if it doesn’t directly impact the main plotline of saving the heroine’s ranch, don’t include it.

This is especially true if you’re trying to cut your synopsis down to a page (as per some agent/editor’s submission guidelines). You don’t have to include all those subplots. The editor/agent will realize you needed to eliminate some things in order to fit it into one page.

Some subplots do influence the main plot near the end of the book. Here you have a couple choices:

1) Pare down the mention of the subplot to the absolute minimum needed for the ending to make sense. Maybe a sentence in the beginning of the synopsis, and then a sentence at the end when it impacts the main plot.

2) Eliminate mention of the subplot completely and insert something near the end to make the ending make sense.

Don’t do more than that for subplots if you can absolutely help it.

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